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Issue Number 52 (TF52)

  • Editor’s Note by Theodore Shank
  • TF Casebook: Transgender Performance
    Edited by Kara Raphaeli
  • Future to Run To
    By Kasson Marroquin
  • Past, Present, Future and the
           Transgender Shakespeare Company

           By Robin Craig
  • Confronting Authenticity: Why I Chose
           to Mix Casting in My Trans Play

           By Joshua Bastian Cole
  • Finding Balance Through Community:
           Georgette Kelly's Ballast

           By Kara Raphaeli
  • Introduction: in a word
           By Larissa Lury
  • Script: in a word
           By Lauren Yee
  • Without Walls Festival 2017 Casebook
           Edited by Sam Mitchell
  • Buried in Layers of Construction: A Review
           of Sledgehammer Theatre's Adaptation of
           Under Construction: An American Masque
           by Charles L. Mee

           By Jon Reimer
  • Embodied Deconstruction: A Review of
           The Trisha Brown Dance Company and
           Their Performance of In Plain Site

           By Sam Mitchell
  • Shasta Geaux Pop Review
           By Judy Bauerlein
  • So Say We All's Incoming:
           Fostering Community Over Beer

           By Jim Short
  • Turning Up the Volume on Reading:
           Ant Hampton and Tim Etchells' The Quiet Volume

           By Will Jones
  • What Survives: Community and Humanity
           Post-Apocalypse in And Then You Wait

           By Ava Geyer
  • Quest 3.0: Instilling Agency Through Interactive Drama
           By Jim Short
  • Introduction: Wild Goose Dreams
           By Gabriel Greene
  • Script: Wild Good Dreams
           By Hansol Jung
  • Illuminating the Debate Society and The Light Years
           By Nick Newell