Anton Chekhov's Uncle Vanya
a new adaptation by Robert Icke
directed by Emily Moler
Performance Dates
NEW DATES ADDED!
Wednesday, March 10 | Act 1 | @ 7:30pm PST |
Thursday, March 11 | Act 2 | @ 7:30pm PST |
Friday, March 12 | Act 1 | @ 7:30pm PST |
Act 2 | @ 8:30pm PST | |
Saturday, March 13 | Act 1 | @ 7:30pm PST |
Act 2 | @ 8:30pm PST | |
Wednesday, March 17 | Act 3 | @ 7:30pm PST |
Thursday, March 18 | Act 4 | @ 7:30pm PST |
Friday, March 19 | Act 3 | @ 7:30pm PST |
Act 4 | @ 8:30pm PST | |
Saturday, March 20 | Act 1 | @ 2pm PST |
Act 2 | @ 3pm PST | |
Act 3 | @ 4pm PST | |
Act 4 | @ 5pm PST | |
Sunday, March 21 | Act 1 | @ 2pm PST |
Act 2 | @ 3pm PST | |
Act 3 | @ 4pm PST | |
Act 4 | @ 5pm PST |
Method of Presentation and Ticketing
Presented on our digital platform. Tickets are free of charge. Please RSVP using this Google Form.
PLEASE NOTE: All performances start at the times they are listed. Please come on time (there is no rewind).
The Cast
Elena: Emily StoutAlexander: Spencer Hunsicker
Cartwright: Morgan Scott
Nanny: Abby Huffstetler
Michael: Lee Vignes
John: Anthony Adu
Sonya: Lois Shih
Maria: Rachel Halili
The Creative Team
Director: Emily Moler
Assistant Director: Arianna Fawk
Scenic Designer: Nicholas Ponting
Lighting Design: Bryan Ealey
Sound Design and Composition: Zak Houston
Costumes: Allison Green
Video: Nancy Chao
Production Stage Manager: Emily Searles
Click image to view full program
Director's Statement
How do we move forward when it feels like the momentum of our lives has come to a screeching halt? We’ve all asked ourselves this question over the past year. In the midst of the coronavirus pandemic, systematic oppression, and the looming threat of fascism, we’ve been forced to step back and examine how our own personal struggles intersect with this larger moment in time. Uncle Vanya interrogates this moment like few other plays can. It tells the story of a family who, in spite of it all, genuinely believe that happiness is possible and fight to grasp onto it however they can. It’s about everyday people living with overwhelming grief and uncertainty and the things that they decide to fight for anyways. They grieve, they laugh, they obsess, they strive, they flirt, they forget for a moment the load they are carrying until it
all rushes back and they remember everything. This play is always relevant, but in this specific time, it is particularly resonant. In this digital, distanced production, we’re using this play to unpack this moment in time. People in their 20s will play characters in their 60s. There won’t be any green screens or special effects. But there are people, people who know that however uncertain the future may feel, there is always something to fight for.